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On the Phenomenon of Visual Arts...

On the Phenomenon of Visual Arts and the Meanders of Their Preservation (ebook)

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On the Phenomenon of Visual Arts and the Meanders of Their Preservation
2w1 w pakiecie: ePubePub MobiMobi
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Autorka w sposób barwny i sugestywny opowiada o sztuce wizualnej utrzymując jednocześnie rygory opracowania naukowego. Przedstawia ponadczasowość sztuki identyfikując ją według najnowszych metod analityki instrumentalnej, badań historycznych, przedstawia analizę zmiany postaci dzieł w procesie konserwacji.
  • Cover
  • Title page
  • Copyright
  • Table of contents
  • Introduction
  • Chapter One. Visual arts and heritage
    • 1. Contemporary discourses on visual arts and heritage
    • 2. Understanding heritage
    • 3. Philosophy in search of the truth of art
  • Chapter Two. Art: an idea that shaped our world
    • 1. On valuing the heritage of visual arts
    • 2. Understanding the value of heritage according to various criteria
    • 3. Proposal of a comprehensive assessment of values
    • 4. Institutional criteria and framework for valuation/evaluation
    • 5. Assessment of values and conservation as a process
    • 6. Brainstorming the heritage of culture
  • Chapter Three. Meanders in the preservation of visual arts
    • 1. Professional awareness of artists and conservators
    • 2. Significance of personality in the development of conservator knowledge
    • 3. What we preserve
    • 4. Diverse understanding of authenticity
    • 5. Memento
    • 6. The theory of object/heritage preservation in the 20th and the 21st century
    • 7. The return of fundamental questions about art
    • 8. On ethics, responsibility and communication
  • Chapter Four. Contemporary changes in the ethics and preservation of visual arts
    • 1. New instruments and methodologies
    • 2. Moral casuistry and bespoke codes of ethics
    • 3. Proposals for bespoke codes of ethics in institutions
    • 4. Pros and cons of communication with artists
    • 5. Impasse of visual arts? Preventing their impermanence?
    • 6. Everything may be the matter of art
    • 7. Discoveries in the interpretation of visual arts
    • 8. Consequences of changes in visual arts
    • 9. Differences in the approach to old art associated with traditional disciplines and to new phenomena in contemporary art
    • 10. Communication in visual arts research
    • 11. Communication in education
  • Chapter Five. New elements in the theory and practice of preservation
    • 1. Re-orientation of the aims of preservation
    • 2. The comprehensive preservation of the works of Alina Szapocznikow
    • 3. Difficulties in preserving the conceptual legacy of a total artist: the case of Tadeusz Kantor
    • 4. Artist, curator and conservator cooperation. Handling ephemeral artistic mega-productions
    • 5. Actor-network theory in the preservation of heritage
  • Chapter Six. Summary expanding the theory of the preservation of visual arts
    • 1. Deontology of the preservation of visual arts
    • 2. New conceptual framework for the preservation of visual arts
    • 3. Holism as a comprehensive approach to the preservation of heritage
  • Conclusion
  • Acknowledgments
  • Bibliography
  • About Author
  • Footnotes
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